In the first part of the concert she demonstrated
her talent for French idiom. In songs by Renynaldo Hahn & Gabrielle Fauré 
she unfolded especially the fine lyrical qualities of hre slender soprano, & again & again she 
fascinate with wonderfully & almost weightless floating sound.

OPERAPOINT:
Ana Cvetkovic can make the role of Musetta impressively

OPERAPOINT:
As an experiemced baroque singer, Ana Cvetkovic is able to shape Cupido Baroque aria & draw attention
with her movement gestures.

Bravos and rushing applause had the sensational & easily led coloratura soprano Ana Cvetkovic in 'Voices of Spring Waltz'. The singer coupled her vibrato skillfully with orchestra, conjured sensual  top notes out of nowwhere, and with naturalness sang virtously every coloratura.

BR Klassik:
The Serbian soprano was a touching Lakmé, who handled famous 'Bell Aria' & the equally popular 'Flower duet' more that respectable.
This Lakméwas a 'hammer'.

Ana Cvetkovic as phenomenal Lakmé, in 'Bell Aria' extreme maneuverability of her coloratura-soprano brings sparkles & again, gives you goose bumps.

Orpheus in der Unterwelt
First-class singing & comedic acting was given by Ana Cvetkovic

"A star is born"
Ana Cvetkovic is Violleta par excellence on stage...